Wet blending is how you get a smooth, seamless transition from one colour to another - the gradient on a cloak, a glowing power sword, or a sunset on a banner. It is a showcase technique that takes practice, but the principle is simple: blend the colours while they are still wet on the model.
What it is
Instead of building a gradient from many thin layers, you place two colours next to each other on the model and work the wet edge between them back and forth until they merge into a smooth transition - all before the paint dries.
How to do it
- Work fast and small. Acrylics dry quickly, so blend one small area at a time.
- Use a wet palette to keep your paints workable, and thin them slightly.
- Place both colours on the model next to each other.
- Feather the join - brush gently back and forth along the wet boundary, picking up a little of each colour, until the line disappears.
- Extend your working time with a touch of medium or flow improver, or a drying retarder for larger blends.
Where to use it
- Cloaks, robes and large smooth panels.
- Object-source lighting (glowing weapons, energy, fire).
- Skin and faces on character models.
Tips and common mistakes
- A wet palette is almost essential - it keeps the paint open long enough to blend.
- Small sections. Don't try to blend a whole cloak at once; do it in patches.
- Practice on flat areas first before tackling curved armour.
Wet palettes for blending
Wet blending is far easier with a wet palette keeping your paint workable.
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